Sunday, May 31, 2015

Personal Development for Professionals with Sue Daniel - June/July


THE GROUP:
Life provides many positive challenges and possibilities, which are ours if we have the courage to take them.  The aim of self-development is to live life creatively, spontaneously and with vision. These weekly sessions are for those who want to explore and enter into the deeper aspects of self with the aim of developing greater resilience, vitality and more effective relationships with self and others. There are opportunities to develop new roles and perspectives, acknowledge, celebrate and value old roles, to clear obstacles and resolve minor conflicts of living in your personal or professional life. This group has been running for over five years.  New people join.  It is particularly useful for psychodrama trainees and accredited practitioners who want to embark on some personal development using the psychodrama method.




 

THE LEADER:

Sue is a trainer, educator and practitioner of psychodrama, psychologist and individual and group psychotherapist in private practice.  She is the director of the Psychodrama Institute of Melbourne, Founder of the Australian and Aotearoa Board of Psychodrama and a member of the Board of Directors of the International Association of Group Psychotherapy. 

DATES: 
4 Friday Afternoons, 2  – 5 pm
12 & 19 June (rest week, Friday 26 June) followed by 3 & 10 July 2015.

FEE: $300.00 (Dep.$50.00) MPS members Non-members: $360.00.
 Applications due by Tuesday, 9 June.
 Maximum number in group: 8
         
VENUE:
Psychodrama Institute of Melbourne
1/10-12 Adolph St, Cremorne 3121


 Medicare rebates may apply.
 Concessions for trainees and MPS members.
 All enquiries: 0417 586 791                                                       
                                                           

Thursday, May 07, 2015

Changing moments when travelling



THEATRE OF SPONTENEITY 

31st May 2015
6:00 to 8:30pm

Presented by Hans Wilgenburg

Hans has recently returned from India and knows too well the changing moments experienced when travelling.

Every trip home or abroad has its moment(s) when you have a life changing experience be it happy, confronting or sad.  Each ‘moment’ has its ‘gift of life’  learning experience.

Come and share your experience using psychodrama to gain new insights for self and others present. 

Bring an object that symbolise your experience during a trip home or abroad.



All enquiries and details to:
 Gavin O'Loughlin on 0403 597 685

$20.00 at the door includes supper ($15.00 MPS members).




Wednesday, April 22, 2015

ANZACS - 100 years continued...


-The Consequences of War-

My mother said
war took everything from her.


Even though her father and her husband-to-be returned from their respective wars and were considered lucky, war took their lives after all.

The experience of war and how it left them when the fighting ended, also took from the women and children around these men.

My mother told me my father had glandular fever when he came back from the Second World War. He was thin and looked sick and yellow and when he travelled out to the farm to see her, he was wearing a pale green suit that clashed horribly with his yellow skin, she said. I’ve seen a photo of him on that visit, standing like a lanky-armed scarecrow in front of the farm-house hedge; hollow face and cheek bones pushing up to a hat brim tilted at an incongruous rakish angle.

I remember as a child, I was proud of the fact that my father had been in the Royal Australian Air Force. Other kid’s parents whom I knew had not gone to war. My father though had fought on the islands dotted on a map around New Guinea and Borneo and I liked trying to pronounce these strange foreign-sounding names; Kiriwina, Noemfoor, Tarakan.

I had also seen my father’s small box-brownie photos of his war. Groups of uniformed but casual, thin young men sitting and smiling for the camera, under palms just beyond the thatched huts and beside the planes which were painted with giant goddess Jean Harlow look-alikes.  Relaxed and healthy looking.

There were other photos too, of dead Japanese soldiers and wrecked and burnt-out planes against a jungle background. My father spoke once to me of his horror at the idea of cremation because he’d seen too many of his mates burnt alive before they could pull them from planes that had crash-landed.

I had pieces of turtle shell he had collected there. Dark, unpolished shards, that when held to the light glowed with red and orange sunsets. He had also carved a small photograph frame from the turtle shell and made an exquisite tiny ring box that he gave to my mother. He said he had polished it painstakingly with a toothbrush while beaten-down threepences became the ring box hinges and handles. These pieces are passionate in their colour and yet gentle in their line, and speak of a patience and skill I never saw him possess at home after the war I could see from these he was a craftsman and that he could make beautiful things; loving things.  He could very carefully fashion fragility.

But for whatever reasons, when he returned he more often than not clutched a bottle in those hands.  All the grace in him warred with something else.

I could see mostly that he was, or had become, a man who destroyed things.

He was skilled but could never follow through. He was a man of talent who did not seem able to believe in his gifts and who could not believe that dreams could be realised.

He squandered talent and shot it out in fragments, like bullet bursts. As with his gifts and also with money, he found no way to gather and direct these and they ran like liquid through his fingers as fast as the liquor that poured down his throat.

Perhaps his drinking and squandering were part of war’s legacy.

The war was not the sole reason perhaps, nor could we have named it back then as the unwelcome guest in our family’s daily life. But war shaped something in him, and broke off another piece of him.

Perhaps because of the war or perhaps because of his drinking that escalated after the war.

He could no longer create things that lasted and he became a violent and unpredictable man.

He constantly promised us so much and every night undid it with his drinking and his fists. Despite his strong, capable builder’s hands and lucky return from a world war, my father mediated an early gruelling death through the booze.

My mother felt the war had robbed her of her husband, or what he might have become.


****************


War also finally managed to kill her father.

One night in early 1942 she was making herself up by a mirror in the lounge where the lighting was the best before she was to go to a country Ball.  Her mother sat crocheting and her father sat reading. She could see in the mirror that he had lain down his book and was staring at her. She said her father didn’t take his eyes off her until she left for the dance.

The next morning she woke early and lay in bed listening to her father’s footsteps down the passage, out onto the verandah, down the steps and away into the yard to do the early milking. He did not return for breakfast or lunch and finally late that afternoon a neighbour found him hanging from an old cypress tree.

My mother’s father hanged himself on the 10th of April 1942. The Second World War was underway and Tobruk would be soon.

My mother said that ever since she could remember her father’s hands had shaken so much that his teacup rattled in its saucer. He skipped rigorously each day to try and strengthen his nerves. And that sometimes, even though ordinarily a gentle, quiet man, he would unexpectedly get into a temper and whip the horse.

He had fought at Gallipoli and then in Flanders and even though wounded a few times he refused to return to Australia for convalescence because he feared that if he came home, he would never return, even if his body healed. He also refused to be promoted, despite being mentioned in Haig’s Dispatches for bravery.

He said “he could never order men he knew into battle.”

My grandfather cut down trees, fenced in land, sunk dams, built roads, schools and his own house as part of the group of men who bought soldier settlement blocks that they tried to turn into dairy farms. He even made it through the Great Depression when one in four families in Victoria had to walk off their land.

He made it through that First World War, through all that back-breaking work and then through the Depression, only to take his own life during the Second World War.

An aunt told me there were stories that he was afraid his nerves would get the better of him and that he might end up hurting someone in the family.

My mother adored her father but his suicide unfortunately left her at the mercy of her uncle’s predatory sexual advances, and without protection from her possessive and no doubt frightened mother.

Perhaps this is why she chose my father, returning from his own war, thin and scrappy looking, and why she didn’t heed her friend’s warning that my father looked like trouble. But trouble she had had already and trouble continued for her and us, her children.

We lived with the consequences,
with men who had not been so lucky after all coming back from their wars.

Karyn Down

Monday, April 13, 2015

Sunday, April 12, 2015

Two-Day Role Training Workshop, 2 & 3 May with Sue Daniel



Developing Adequate Relationships in Work and Life
Director: Sue Daniel

Role training is often used in organisations, therapeutic and community groups and in education.  It is an extremely useful method for conflict resolution where people can develop the ability to express feelings in a direct and safe way and build vital role relationships. 

A healthy and active imagination is at the heart of successful group work and role training. It brings about lightness, playfulness and an exhilaration that takes us forward.  This workshop will apply the use of role training in a variety of areas in a unique way with a focus on the essential elements of interaction, production, planning and role assessment that will have useful application in both your work and life.  

Morning and afternoon teas, a light lunch (specify dietary requirements)and freshly brewed coffee, juice and a selection of fine teas are included.  

Date: Saturday & Sunday 2 &3 May from 10 a.m- 5.30 p.m 
Fee: $500.00 ($300.00 MPS members/trainees) Deposit $50.00 due by Friday 17 April.
Enquiries: 0417 536 791

ANZACS - 100 years

At the forthcoming Theatre of Spontaneity, Sunday 26 April 2015 we have as our theme, ANZACS.  Looking forward to this event (watch this space for details next week) I began thinking about my own family and realised that both my maternal Grandfather and Father, were in World War 1 & 2 respectively.  Here are some pictures as a personal tribute to these men.  Do share yours if you wish and we will post them on this blog page (MorenoSociety@netspace.net.au)

Howard Tasman Mulligan of Ulverstone, Tasmania.  Sailed on HMAT Berrima on 4 July 1916, fought on the Western Front, returned to Australia on 15 May 1919.




Flying officer, Alfred Lionel (Bill) Grear, Enlisted 6/1/1943 in the Royal Australian Air Force, discharged 7/5/1946.



Psychodrama Friday Lunchtime Reading Group - resumes 29 May 2015



The Lunchtime Reading Group

Monthly meetings resume on 29 May 2015 with Phil Smalley as the Guest Speaker, at the Psychodrama Institute of Melbourne.

Regular meetings from 12.45 to 1.45 pm precisely on the last Friday of every month - ALL WELCOME!

The Lunchtime Reading Group is a communal space to meet other readers, writers, trainees and practitioners and converse about all things to do with reading and writing on psychodrama and related topics.

The genre of psychodramatic writing and the possibilities of expanding and discovering evermore this unique genre, are exciting to us.

Here is a space to connect with others and share your views, ideas, questions, spontaneous reflections and just hang out.

Each meeting will start off with a particular topic, aspect of, or whole book or article, with a guest speaker or moderator, over coffee, tea and lunch (BYO).



Creative Reflection - Enhancing The Sharing Phase In Psychodrama
With Phil Smalley 

An important, indeed vital aspect of the psychodrama process is the sharing.  At a psychodrama conference some years ago, I attended workshop called “The reflective space”.  The presenter of the workshop introduced a variation on the sharing phase.  After directing a drama, instead of immediately launching into sharing, he asked participants to find a quiet space for about five minutes and reflect on what the drama meant to them.  He then brought the group back together and invited participants to share.  His reason for this was to ensure that the sharing was more than saying the first thing that came to mind.  I found this quite profound as the sharing became much deeper.

I subsequently decided to develop that idea further.  After directing a drama, I used the format above but also asked participants to come up with a word which captured the essence of the drama, incorporate that word in a short phrase, and write it down on a piece of paper.  When the sharing began, I suggested that each person say both their word and the short phrase and then do their sharing.

After the sharing was finished, I asked that participants to hand their piece of paper to the protagonist.  What the protagonist then had was, in effect, a ‘poem of sharing’.  My purpose in doing this was not only to enrich the sharing but also to facilitate the protagonist feeling re-integrated in the group.  Further, s/he had something else to take away, and not have to rely on memory of what was said.

Finally, if this were to be used for each drama in an ongoing group, it would be possible to create an anthology of sharing poems for the group.
  
Donation: $10.00 ($15.00 for non-MPS members) for freshly brewed coffee, a wide selection of premium teas, and also to build up the PIM library.

For RSVP, Venue details and Enquiries: pim@netspace.net.au

Administrator: 0410 536 791


Thursday, March 26, 2015

A Series on Working with Cultures and Groups, 3 & 4 August 2015 with Sue Daniel


Groupwork: A One-Day Cross Cultural and Neuroscience Workshop
Monday, 3 August 2015 from 9.30 am - 5pm

This group is for professionals, practitioners and trainees, interested in furthering their clinician and leadership skills.  Current theories on the topic will be addressed and applied in this workshop. Those working in private practice or conducting or managing small or large groups including therapeutic groups, professional development and supervision groups may benefit from this work.
Fee: $300.00 (MPS Members $200.00) Deposit $50.00 due by Friday, 3 July.


Teamwork in Organisations: Thinking with Heart, Feeling with Mind
 A Half-Day Supervision Workshop
Tuesday, 4 August 2015 from 1 - 5 pm

A healthy and active imagination is at the heart of successful group work. It brings about a lightness, playfulness and an exhilaration that takes us forward.  This workshop will apply the use of sociometry and psychodrama in a variety of areas in a unique way, with a focus on what it means to work in or lead, a team.  Material will come from the group members.

Fee: $150.0 (MPS Members $75.00) Deposit $50.00 due by Friday, 3 July.

Venue: Psychodrama Institute of Melbourne, Cremorne, Victoria, Australia
For all enquiries and enrolments: 0417  586 791/(03) 9827 3994 or pim@netspace.net.au

Morning and/or afternoon teas, a light lunch for the One-Workshop on the 3rd of August, freshly brewed coffee and a selection of fine teas are included in the fees.